CLASH BY NIGHT
1952, Warner Bros., 105 min, USA, Dir: Fritz Lang

Director Fritz Lang adds plenty of sizzle to Clifford Odets’ play about a love triangle in a coastal town. A wash-out in New York, Barbara Stanwyck returns home to Monterey, where fisherman Paul Douglas takes a shine to her - but she’s a lot more compatible with cynical film projectionist Robert Ryan. Marilyn Monroe charms in a small role as a cannery worker smitten with Stanwyck’s brother.


AND HOPE TO DIE
LA COURSE DU LIÈVRE À TRAVERS LES CHAMPS
1972, CCFC, 99 min, France, Dir: René Clement

This adaptation of David Goodis’ novel Black Friday concerns a crook on the lam (Jean Louis Trintignant) who crosses paths with a Montreal gang plotting a big score - led by noir stalwarts Robert Ryan and Aldo Ray. “Froggy” (as Ryan dubs our hero) decides to join in the heist and, of course, ends up neck-deep in danger. An odd and invigorating French-Canadian-American production, this is a rarely screened homage to noir on both the page and screen, sparked by a devilish script from author Sébastien Japrisot (The Lady in the Car with Glasses and a Gun). English dubbed version.


BORN TO BE BAD
1950, Warner Bros., 94 min, USA, Dir: Nicholas Ray

Joan Fontaine looks sweet and innocent on the surface, but after she steals millionaire Zachary Scott away from another woman, she continues an illicit affair with novelist Robert Ryan. Things just get more complicated from there in this energetic, daring and slightly nasty little melodrama. One of Nicholas Ray's best early films, and certainly his most audacious until JOHNNY GUITAR. With Mel Ferrer - and the original deleted ending!


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