Movies on the Big Screen as They Were Meant To Be Seen.
Dir: Brian de Palma
Director Brian De Palma has always openly expressed his admiration for Hitchcock and has used various tropes common to the master in a number of his pictures. This is one of his most jaw-dropping, melding influences from REAR WINDOW and VERTIGO as well as giving a vigorous nod to the delirium of 1970s Italian giallo shockers. When a claustrophobic and cuckolded actor (Craig Wasson) finds himself suddenly homeless, he house-sits for a theater workshop acquaintance (Gregg Henry). But he finds himself going from the frying pan into the fire after witnessing the murder of a beautiful neighbor. To make matters worse, he falls for sweet, dysfunctional porn star Holly Body (Melanie Griffith), who may have been tricked into doubling for the victim.
Dir: Lesli Linka Glatter
During a pivotal 1970 summer, four friends (Gaby Hoffmann, Thora Birch, Christina Ricci and Ashleigh Aston Moore) make a pact to always be there for one another; 20 years later, as one is about to become a mother, they reunite and reminisce. Demi Moore, Melanie Griffith, Rosie O'Donnell and Rita Wilson play the girls as adults in this poignant coming-of-age tale, which features a great period soundtrack and the coolest treehouse since STAND BY ME.
20th Century Fox,
Dir: Mike Nichols
This immensely likable look at one woman’s attempt to break through the glass ceiling features a near-unimprovable cast topped by Melanie Griffith as a secretary with big ideas, Sigourney Weaver as the boss who steals them and Harrison Ford as the man both have eyes for. A Cinderella story for the 1980s (complete with the decade’s focus on big business and even bigger hair), Nichols’ sure-handed romantic comedy picked up six Oscar nominations, including a win for Carly Simon’s original song “Let the River Run.”