BEGGARS OF LIFE
1928, Kino Lorber, 100 min, USA, Dir: William A. Wellman

Rough-and-tumble writer Jim Tully’s autobiography served as the basis for what many consider Louise Brooks’ best American film. She plays a young woman who kills her abusive stepfather and hits the road (in the company of Richard Arlen) hoping to make it to safety in Canada. Wallace Beery delivers a memorable performance as hobo Oklahoma Red in this beautifully shot silent.


DIARY OF A LOST GIRL
DAS TAGEBUCH EINER VERLORENEN
1929, Kino Lorber, 112 min, Germany, Dir: G.W. Pabst

Seduced and abandoned by her father’s assistant, Louise Brooks descends into a lurid hell of reformatories and whorehouses. For a debauched party scene, Pabst insisted on realism – so Brooks complied by playing “the whole scene stewed on hot, sweet German champagne.”


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