Movies on the Big Screen as They Were Meant To Be Seen.
NEW YORK, NEW YORK
Dir: Martin Scorsese
Director Martin Scorsese called it a “film noir musical.” A powerful and misunderstood tribute to musical forefathers Vincente Minnelli and Stanley Donen, it melds larger-than-life soundstage musicals and kitchen-sink realism. Scorsese mainstay Robert De Niro stars as Jimmy Doyle, a WWII veteran who returns home on V-Day and attempts to pick up Francine Evans (Liza Minnelli) at a huge party. Her career as a singer is on the rise while his inventive saxophone style has not yet caught on. Often improvised, De Niro's performance comes off like a more musical cousin of Travis Bickle, while Minnelli soars in the final act. The breathtaking production design is by the legendary Boris Leven, art director of numerous noir films such as CRISS CROSS and SUDDEN FEAR as well as classic musicals WEST SIDE STORY and THE SOUND OF MUSIC. Cinematography by Laszlo Kovacs (EASY RIDER, FIVE EASY PIECES). Also features Mary Kay Place, Barry Primus and Dick Miller.
In decadent 1930s Berlin, impulsive and morally liberal agent provocateur Sally Bowles (Liza Minnelli) meets the scholarly and handsome Bryan (Michael York) and the two develop an intimate relationship while unknowingly sharing a bisexual lover. Winner of eight Oscars, including Best Director, Actress and Supporting Actor (Joel Grey, as the Kit Kat Klub's reptilian Master of Ceremonies).
Dir: Alan J. Pakula
Director Alan J. Pakula adapts John Nichols’ novel into this bittersweet story of awkward first love in the college world of upstate New York. In her first Oscar-nominated role, Liza Minnelli is Pookie, a needy, neurotic young girl who attaches herself to retiring bookworm Jerry (Wendell Burton). Gradually, she seduces him with her offbeat, abrasive humor, her sweetness and tireless pursuit. But Jerry proves only a fuzzy symbol of what Pookie needs and is not ready or able to supply the love-starved girl with constant validation.