THE LAST DAYS ON MARS
2013, Magnet Releasing, 98 min, UK / Ireland, Dir: Ruairi Robinson

On the first manned mission to Mars, an astronaut discovers fossilized evidence of bacterial life. But when crew members begin to vanish, the rest of the team wonders if the lifeform they have discovered is not yet dead, and the group falls apart as it awaits a relief ship. Starring Liev Schrieber, Elias Koteas, Romola Garai and Olivia Williams, LAST DAYS is a lean, muscular and fast-moving genre picture that shows that science fiction smartly done on a budget can hold its own with anything.


HAMLET (2000)
2000, Park Circus/Miramax, 112 min, USA, Dir: Michael Almereyda

Transposing some of theater’s most famous soliloquies to Blockbuster Video stores and high-rise apartments, this powerful adaptation of Shakespeare’s classic play is set among the corporate elite of Manhattan. Here the title character (a fine Ethan Hawke), the son of a murdered Wall Street CEO, employs a student film to “catch the conscience” of his father’s killer and exact revenge. The all-star supporting cast includes Kyle MacLachlan, Julia Stiles, Liev Schreiber, Sam Shepard and Bill Murray. “The director's rigorous trimming has a boldness and vivacity that makes this version exhilarating while leaving Shakespeare's language and intent intact.” – Elvis Mitchell, The New York Times


HAMLET (2000)
2000, Park Circus/Miramax, 112 min, USA, Dir: Michael Almereyda

Transposing some of theater’s most famous soliloquies to Blockbuster Video Stores and high-rise apartments, this powerful adaptation of Shakespeare’s classic play is set among the corporate elite of Manhattan. Here the title character (a fine Ethan Hawke) is the son of a murdered Wall Street CEO, who employs a student film to “catch the conscience” of his father’s killer and exact revenge. Among the all-star supporting cast is Kyle MacLachlan, Julia Stiles, Liev Schreiber, Sam Shepard and Bill Murray. “The director's rigorous trimming has a boldness and vivacity that makes this version exhilarating while leaving Shakespeare's language and intent intact.” – Elvis Mitchell, The New York Times


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