Like THE SHAWSHANK REDEMPTION and A CHRISTMAS STORY, this is a great film, largely ignored upon release, that found life on television and DVD. Here’s your chance to see it on the big screen the way it was meant to be seen. David Mickey Evans (RADIO FLYER) directs his first feature film and knocks it out of the park. It’s sandlot baseball set in the summer of 1962, with Babe Ruth-autographed baseballs, best buddies and giant demon dogs named the Beast that live beyond the rickety home run fence. Geeky kid Scotty Smalls (Tom Guiry) moves to the San Fernando Valley with his parents and is unable to make friends until sandlot baseball hero Benny Rodriguez adds him to the team. Made up of all the magic little moments of childhood, when scary things really were over the fence and crazy drawn-in-the-dirt battle plans actually worked. Patrick Renna ("Ham") stands out in one of the best kid casts since THE BAD NEWS BEARS. "You're killing me, Smalls!" has become a catch phrase to many since. Also stars James Earl Jones.

Alan Parker (MISSISSIPPI BURNING) helms this drama by Academy Award-winning screenwriter Bo Goldman (ONE FLEW OVER THE CUCKOO’S NEST) about the deterioration of a dysfunctional couple and the emotional toll the separation has on their four daughters. Finney gives a devastating performance as George Dunlap, successful writer and adulterous husband to Faith (Diane Keaton). Karen Allen and Peter Weller costar. "SHOOT THE MOON contains a raw emotional power of the sort we rarely see in domestic dramas.” - Roger Ebert, Chicago Sun-Times.

A bleakly chilling emotional travelogue of desperation, loneliness and spiritual hunger, CRUISING stars Al Pacino as a naïve undercover cop who descends into the leather-bar underworld of New York’s gay S&M scene. Widely condemned and misinterpreted on its release, CRUISING emerges today as one of Friedkin’s major works - it succeeds as a police procedural, horror film (there are scenes every bit as terrifying as THE EXORCIST), and saga of one seemingly "decent" man’s inability to face the truth about himself. Featuring a terrific score by composer Jack Nitzsche, with songs by The Germs.