BARON BLOOD
GLI ORRORI DEL CASTELLO DI NORIMBERGA
1972, NAOR World Media Films, 100 min, Italy/West Germany, Dir: Mario Bava

Lovely Elke Sommer is menaced by Joseph Cotten, a 400-year-old sadistic nobleman bent on restoring his youth in Bava’s gruesome, Grand Guignol Gothic. With Massimo Girotti, Rada Rassimov. “… an almost Technicolor richness that encompasses a wide range of styles, from an enameled hardness that recalls the work of Douglas Sirk to a luminous, painterly vividness based on Bava’s fondness for color gels and his endlessly churning fog machine … ultimately a heady exercise in style, with several brilliantly mounted sequences; a convincing, insistent air of horror; and some unforgettable imagery.” – Gary Morris, Images Movie Journal.


AIRPORT ’77
1977, Universal, 114 min, Dir: Jerry Jameson

In the third entry in the series, Jack Lemmon pilots a corporate jet that crashes into the water when an incompetent hijacker rams it into an offshore oil rig.


UNDER CAPRICORN
1949, BFI, 117 min, UK, Dir: Alfred Hitchcock

Director Alfred Hitchcock shot this film about a love triangle in 1830s Australia in long takes, à la ROPE, to explore the motivations of some very complex characters. Joseph Cotten is an Irish ex-convict turned successful landowner; Ingrid Bergman is his wife, being pushed toward alcohol-induced delirium until childhood acquaintance Michael Wilding appears. Jack Cardiff provides the striking Technicolor cinematography.


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