THE LOVED ONE
1965, Warner Bros., 121 min, USA, Dir: Tony Richardson

Marketed as "the motion picture with something to offend everyone!" this achingly funny, pitch-black comedy could only have been released in the anything-goes era of the 1960s. Judged unfilmable for more than a decade (Luis Buñuel was trying to set it up for years), writer Evelyn Waugh’s spot-on satire of Southern California - specifically the funeral business – finally was brought to the screen in the mid-’60s by director Tony Richardson (TOM JONES) with a screenplay by Terry Southern (CANDY, EASY RIDER) and Christopher Isherwood (!). Robert Morse, a British youth visiting his uncle (John Gielgud) in Los Angeles, encounters the weird world of Tinseltown’s mortuary subculture, embodied by twins Henry and Reverend Wilbur Glenworthy (Jonathan Winters in a dual role), embalmer Mr. Joyboy (Rod Steiger) and his beautiful apprentice, Aimee Thanatogenous (Anjanette Comer). With Liberace, Paul Williams, Dana Andrews.


IT’S A MAD, MAD, MAD, MAD WORLD
1963, MGM Repertory, 162 min, USA, Dir: Stanley Kramer

Milton Berle, Sid Caesar, Edie Adams, Spencer Tracy, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Dorothy Provine, Phil Silvers, Jonathan Winters, Don Knotts, Peter Falk, Terry-Thomas, Carl Reiner, Jerry Lewis and many more star in the story of a group of average, upstanding Americans who are given the key to locating $350,000 in stolen bank loot - and resort to every form of lying, deceit and double-crossing in their manic cross-country chase to retrieve it!


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