BABY DRIVER
2017, TriStar Pictures, 112 min, UK/USA, Dir: Edgar Wright

The breakout hit of the year, Edgar Wright’s BABY DRIVER is the heist film we’ve long dreamed of. Effortlessly paying homage to its revered predecessors while magnificently catapulting the genre forward,

BABY DRIVER is a true stick of cinematic dynamite, unlike anything we’ve seen before. BABY DRIVER tells the story of the best getaway driver in the business, the always cool, music encyclopedia, Baby. After being coerced into working for a notorious crime boss, Baby is partnered with a rogue’s gallery of professional criminals as they embark on a doomed heist. In order to survive, Baby must draw on every driving skill at his disposal - and his ever-present iPod.

With a cast to die for, BABY DRIVER is a technical marvel that is crisply shot and masterfully edited; it also contains one of the greatest soundtracks committed to film. The result is a pulsating revelation and a reminder how brilliant cinema can be when it’s so effortlessly executed – BABY DRIVER is an exhilarating joyride from start to finish.


THE TOWN
2010, Warner Brothers, 125 min, Dir: Ben Affleck

After masked armed robbers hold up a bank and briefly take employee Claire (Rebecca Hall) hostage, the gang's leader Doug (Ben Affleck) insinuates himself into her life to make sure she won't give any unwanted information to the Feds. The two begin a poignant if problematic romance, while Doug's dangerously volatile best friend (Jeremy Renner) keeps a watchful, malevolent eye on the couple. Ben Affleck excels as both director and lead in this gritty tale of South Boston hoods chasing the allusive Perfect Crime. With Jon Hamm and Blake Lively.


Syndicate content