BABY DRIVER
2017, TriStar Pictures, 112 min, UK/USA, Dir: Edgar Wright

The breakout hit of the year, Edgar Wright’s BABY DRIVER is the heist film we’ve long dreamed of. Effortlessly paying homage to its revered predecessors while magnificently catapulting the genre forward,

BABY DRIVER is a true stick of cinematic dynamite, unlike anything we’ve seen before. BABY DRIVER tells the story of the best getaway driver in the business, the always cool, music encyclopedia, Baby. After being coerced into working for a notorious crime boss, Baby is partnered with a rogue’s gallery of professional criminals as they embark on a doomed heist. In order to survive, Baby must draw on every driving skill at his disposal - and his ever-present iPod.

With a cast to die for, BABY DRIVER is a technical marvel that is crisply shot and masterfully edited; it also contains one of the greatest soundtracks committed to film. The result is a pulsating revelation and a reminder how brilliant cinema can be when it’s so effortlessly executed – BABY DRIVER is an exhilarating joyride from start to finish.


THE ACCOUNTANT
2016, Warner Bros, 128 min, Dir: Gavin O'Connor

Christian Wolff (Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Ray King (J.K. Simmons) starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk (Anna Kendrick) has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, the body count starts to rise. Jon Bernthal, Jeffrey Tambor and John Lithgow costar in this muscular thriller.


Syndicate content