Movies on the Big Screen as They Were Meant To Be Seen.
Dir: Clarence Brown
Factory worker Joan Crawford becomes the mistress of a high-powered attorney running for political office (Clark Gable) in this pre-Code classic of sex, Depression-era politics and star chemistry. Crawford's role set the tone for her many movies to come in which she would play working girls on the rise. In this, their third film together, Crawford and Gable clicked onscreen with audiences and each other, engaging in a passionate affair that was widely gossiped about on the MGM lot.
Dir: Robert Aldrich
Forget about its reputation as a camp classic; this first-rate study of the most dysfunctional siblings in cinema history is a classic, period. Bette Davis is unforgettable as a washed-up child star who passes the time by torturing her invalid sister Joan Crawford, and Robert Aldrich's direction crosses horror with film noir to create one of the most chilling yet darkly comic masterpieces of all time. With the great, underrated Victor Buono in probably his most memorable role (he was Oscar-nominated as supporting actor, as was Davis, for actress).
Joan Crawford gives an Oscar-nominated performance as a San Francisco playwright who marries a virile actor (Jack Palance) she’d rejected for one of her plays. Little does she know, he plans to drop the final curtain on her. Stylish and suspenseful, this is one of Crawford’s very best movies. With Gloria Grahame.