JOY HOUSE
LES FELINS
1964, EuropaCorp, 97 min, Dir: René Clément

Handsome gigolo Alain Delon, on the run from murderous thugs hired by the husband of one of his conquests, flees to the Riviera, where he takes refuge in a religious shelter operated by a rich, mysterious widow (Lola Albright). She hides him in her Gothic mansion, where he suddenly finds himself in a strange love triangle featuring the widow’s sex-starved niece (Jane Fonda). The twists (and curves) just keep coming at Delon, who might be in more danger in his hiding place. René Clément returns to form with this terrific transitional noir with one foot in both the past and the future. With a fabulous ’60s score from Lalo Schifrin. In French with English subtitles.


FUN WITH DICK AND JANE
1977, Sony Repertory, 95 min, Dir: Ted Kotcheff

A lifestyle beyond one’s means and the schemes to maintain it are the basis of this comedy favorite, which was remade in 2005. Dick and Jane Harper (George Segal and Jane Fonda) could lose their beautiful house when Dick is laid off – but it’s nothing a little armed robbery can’t fix. “The Tonight Show” sidekick Ed McMahon costars (and future “Tonight Show” host Jay Leno has an uncredited part). Co-produced by Aero Theatre benefactor Max Palevsky!


KLUTE
1971, Warner Bros, 114 min, USA, Dir: Alan J. Pakula

John Klute (Donald Sutherland), a small-town detective visiting the Big Apple on a missing-persons case, finds a possible lead when he meets call girl Bree Daniel (Jane Fonda, who won the 1972 Best Actress Oscar for her performance). What begins as an antagonistic relationship between a square family man and a city-dwelling, emotionally closed-off woman slowly becomes a genuine love affair. Bree’s inability to feel warmth is challenged by Klute’s quiet dignity and desire to understand her, and their attachment is intensified by an unknown stalker dogging Bree’s trail. An expert melding of character study and suspense thriller, and the first of several collaborations between director Alan J. Pakula and cinematographer Gordon Willis.


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