Movies on the Big Screen as They Were Meant To Be Seen.
20th Century Fox,
Dir: Walter Hill
An extremely tough, pared-to-the-bone noir, vastly underrated on its initial release, THE DRIVER pits existential getaway driver Ryan O’Neal against pitbull detective Bruce Dern in a cat-and-mouse pursuit through the wasted underbelly of mid-’70s Los Angeles. Walter Hill’s homage to Jean-Pierre Melville and the Euro crime film offers spectacular car chases and, in her first Hollywood film, Isabelle Adjani.
Director Luc Besson’s second film and first bona fide hit is a delicious neo-noir, live-action comic book, a hymn to the new-wave rhythms of nocturnal street life and private romantic fantasies. Inhabitant of the Paris subway and wannabe rocker Fred (Christopher Lambert) falls for Helena (Isabelle Adjani) after first trying to blackmail her. A rogue’s gallery of colorful suburban dwellers make up Fred’s neighbors. With Richard Bohringer, Jean-Hugues Anglade. In French with English subtitles.
Bleeding Light Film Group,
Dir: Andrzej Zulawski
In this controversial, unclassifiable cult film, secret agent Mark (Sam Neill) reunites with Anna (Isabelle Adjani) and their young son only to be asked for a divorce. But it’s not because his wife has been seeing another man - when Mark hires a private investigator to follow her, he learns she’s been spending time with a strange, tentacled creature (designed by famed special effects artist Carlo Rambaldi). Director Andrzej Zulawski was in the midst of his own difficult divorce when he came up with this nightmarish mix of domestic distress, bloody violence and bio-horror. Adjani’s performance in dual roles (she also plays Anna’s doppelgänger, Helen) earned a César as well as a Best Actress award at Cannes. “POSSESSION starts on a hysterical note, stays there and surpasses it as the film progresses.” – Variety