ARABIAN NIGHTS
IL FIORE DELLE MILLE E UNA NOTTE
1974, Park Circus/MGM, 130 min, Italy/France, Dir: Pier Paolo Pasolini

One of Pasolini’s greatest achievements, ARABIAN NIGHTS is a shimmering, golden dream of a film, drunk on its own beauty, where story after story unfolds like leaves in an ancient Persian manuscript. Equaled only by Wojciech Has’ THE SARAGOSSA MANUSCRIPT in its exquisite, otherworldly tone and intricate, puzzle-box structure, ARABIAN NIGHTS is simply unforgettable. With Tessa Bouche, Ines Pellegrini, Ninetto Davoli, Franco Citti and Franco Merli.


THE DECAMERON
1970, Park Circus/MGM, 111 min, Italy/France, Dir: Pier Paolo Pasolini

This bawdy comedy is among director Pier Paolo Pasolini's most popular films. Based on Giovanni Bocaccio’s classic novel, the first film in Pasolini’s "Trilogy of Life" established the raw, visceral feeling of the series, using gorgeous period locations and combining equal parts poetry, social satire, slapstick and sexuality into a unique living tapestry. Pasolini himself appears as a Renaissance artist, "one of Giotto’s best students," hired to paint an enormous fresco on the wall of a church. With Ninetto Davoli, Franco Citti, Angela Luce. In Italian with English subtitles.


MAMMA ROMA
1962, Janus Films, 110 min, Italy, Dir: Pier Paolo Pasolini

Middle-aged prostitute Mamma Roma (Anna Magnani) retires from the streets and reunites with her teenage son, who has grown up in the country. Though she does everything in her power to provide a better life for him, the boy is drawn to delinquency. Anchored by Magnani’s towering central performance, this tragic portrait of Rome’s cruel underbelly is one of Pasolini’s most moving. In Italian with English subtitles.


Syndicate content