99 RIVER STREET
1953, Park Circus/MGM, 83 min, Dir: Phil Karlson

An aspiring actress (Evelyn Keyes) gets entangled with a washed-up boxer (John Payne) framed for the murder of his trampy wife (Peggie Castle). They’ve only got a few hours to hunt down the real killer. No director crafted rugged crime dramas bursting with violence better than director Phil Karlson, and this film (set entirely at night) is one of his best. Keyes lights up the screen and former crooner Payne is a convincing noir tough guy. With Brad Dexter, Frank Faylen, Jay Adler and Jack Lambert.


THE PROWLER
1951, Crystal Pictures, 92 min, USA, Dir: Joseph Losey

A perverse, provocative film about a corrupt cop (Van Heflin) who sexually dominates a married woman (Evelyn Keyes) for material gain. Oh yeah, he murders her husband in the process - then marries her. And she ends up giving birth in a Nevada ghost town. Hands down, Keyes’ best performance. Heflin’s desperate pursuit of his skewed vision of the American Dream lingers in the memory – potent, haunting and disturbingly similar to today’s headline news. A rediscovered masterpiece not to be missed!


IRON MAN
1951, Universal, 81 min, USA, Dir: Joe Pevney

Jeff Chandler stars as Coke Mason, a Pennsylvania coal miner who is talked into becoming a boxer by his gambler brother (Stephen McNally). Coke’s wife (Evelyn Keyes) thinks her husband’s violent streak can make them millionaires, not caring that’s he’s becoming a villain in the public’s eyes. In the end, Coke fights for the title against … Rock Hudson! Based on the novel by W.R. Burnett and featuring Jim Backus, Joyce Holden and James Arness.


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