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1930, Kino Lorber, 106 min, Germany, Dir: Josef Von Sternberg

Emil Jannings is the repressed professor who falls head-over-heels for bawdy cabaret chanteuse Lola-Lola (Marlene Dietrich). It’s a liaison that will jumpstart the engine of his self-destruction, immolating both his private and public life till only ashes are left. The classic that scandalized international audiences and started the collaboration between Von Sternberg and Dietrich, setting the tone for the characters and motifs found in their subsequent efforts together.

1920, 99 min, Germany, Dir: Hans Werckmeister

A coal miner (Emil Jannings) encounters the demonic Algol, who divulges the secret of harnessing the rays of the star Algol as a source of energy; the miner becomes the most powerful man in the world, with every country dependent on his energy supply. A sci-fi morality tale with inventive art direction by Walter Reimann, this tinted and toned restoration features a recorded score by Stephen Horne.

1922, 100 min, Germany, Dir: Ernst Lubitsch

Featuring thousands of extras and spectacularly grandiose production design on Berlin backlots, THE LOVES OF PHARAOH rivals METROPOLIS as the most ambitious German production of the silent era, and was director Ernst Lubitsch's (THE SHOP AROUND THE CORNER, TROUBLE IN PARADISE) last lavish German film before he left to work in Hollywood. Emil Jannings, international star and winner of the first "Best Actor" Oscar, plays Egyptian pharaoh Amenes, who must marry the daughter of the Ethiopian king (Paul Wegener, best known as director-star of THE GOLEM) to prevent war. Things get complicated when the pharaoh's adviser Ramphis (Harry Liedtke) sets his eye on the object of Amenes' affection, Theonis (silent era icon Dagny Servaes). For decades available only in fragments all over the European continent, this landmark film has been beautifully digitally restored and will be accompanied by the original symphonic orchestral score of acclaimed opera composer Eduard Kunneke.

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