Movies on the Big Screen as They Were Meant To Be Seen.
THE MAN WITH THE GOLDEN ARM
Dir: Otto Preminger
Director Otto Preminger defied the Production Code for the second time with this first American film about drug addiction. Frank Sinatra, in the performance of his career, plays a junkie jazz drummer and card sharp torn between love for his girlfriend (Kim Novak), a sad-eyed cashier in a strip club, and loyalty to his crippled wife (Eleanor Parker). Darren McGavin (“The Night Stalker”) is the villainous heroin pusher. Shooting in the studio rather than on location, Preminger creates a richly atmospheric, lower-depths milieu. Elmer Bernstein’s moody, compelling jazz score and Saul Bass’ seductive opening titles are memorable.
Eleanor Parker’s second Best Actress nomination in as many years is a memorable turn as the unfortunate wife of tormented NYPD detective Kirk Douglas in a splendid screen adaptation of Sidney Kingsley’s hit play. Powerfully helmed by William Wyler and nominated for four Academy Awards. Co-starring William Bendix, Lee Grant, George Macready, Cathy O’Donnell, Horace McMahon, Gladys George, Joseph Wiseman, Gerald Mohr and Frank Faylen.
Dir: John Cromwell
Flat-out the best “women behind bars” movie ever made. Sentenced to prison for her role in a failed robbery that killed her husband, vulnerable innocent Marie Allen (Oscar-nominated Eleanor Parker) undergoes a degrading transformation in “the joint.” Parker gives the performance of her career, supported by a cell block of sensational actresses: Agnes Moorehead, Hope Emerson, Betty Garde, Jan Sterling, Lee Patrick, Jane Darwell and many more. A classic!