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1966, Warner Bros., 92 min, UK, Dir: J. Lee Thompson

When French nobleman David Niven is summoned to his vineyard after an unproductive season, he tells wife Deborah Kerr to stay behind. She doesn’t listen, and soon discovers the rural estate is run by ancient pagan practices that exact a terrible toll. With the ever-creepy Donald Pleasance and, as sibling witches, David Hemmings and Sharon Tate (in her first major film role).

1958, Sony Repertory, 94 min, USA, Dir: Otto Preminger

In Otto Preminger’s haunting film (adapted by Arthur Laurents from Francoise Sagan’s novel), the underrated Jean Seberg plays a precociously spoiled teen whose wealthy reprobate father (David Niven) decides to settle down by marrying repressed Deborah Kerr, with catastrophic results. Exquisitely filmed (by Georges Perinal) in CinemaScope and shifting between black-and-white and deeply saturated color, Preminger’s film sensitively manifests the mysteries of growing up. When Seberg’s character finally makes the difficult transition from teenager to adult, it is with a tragic resonance that gives poignant meaning to the film’s title (which translates, "Good Day, Sadness").

1943, Park Circus, 163 min, UK, Dir: Michael Powell, Emeric Pressburger

One of British cinema’s crowning glories, Michael Powell and Emeric Pressburger’s stunning epic hopscotches between the end of the Boer War and World Wars I and II, and charts the heartbreaking attempts of gentlemanly officer Clive Candy (Roger Livesey) to find his ideal woman, embodied in three different forms by the gorgeous Deborah Kerr, while he spars with German officer Anton Walbrook.

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