WHITE MATERIAL
2009, IFC Films, 106 min, France/Cameroon, Dir: Claire Denis

Returning to the African continent on which she was raised, Claire Denis directs yet another ruminative examination of race relations in a colonial environment, this time set against the backdrop of an unspecified civil war. French farmer Maria Vial (Isabelle Huppert) is given a stern warning to abandon her coffee plantation and its impending harvest and seek refuge for her family before violence begins. But stubbornness and white privilege keep Maria trudging forward, as she attempts to keep her family together while seeking the help of local workers to finish the harvest. Featuring Christopher Lambert and Isaach De Bankolé. “A striking film filled with images that sometimes reveal their full meaning only when their beauty curdles in the chain of signification.” - Manohla Dargis, New York Times.


SUBWAY
1985, Gaumont, 104 min, France, Dir: Luc Besson

Director Luc Besson’s second film and first bona fide hit is a delicious neo-noir, live-action comic book, a hymn to the new-wave rhythms of nocturnal street life and private romantic fantasies. Inhabitant of the Paris subway and wannabe rocker Fred (Christopher Lambert) falls for Helena (Isabelle Adjani) after first trying to blackmail her. A rogue’s gallery of colorful suburban dwellers comprises Fred’s neighbors. With Richard Bohringer, Jean-Hugues Anglade. In French with English subtitles.


HIGHLANDER
1986, 20th Century Fox, 116 min, UK, USA, Dir: Russell Mulcahy

In 16th-century Scotland, Connor MacLeod (Christopher Lambert) appears to be mortally wounded in a fight but survives. The arrival of a stranger (Sean Connery) reveals the truth: Connor is one of a select group of Immortals who can only be killed by decapitation and who are destined to battle each other for supreme power. Through the centuries they have lived secret lives, stalking each other until one final confrontation in present-day New York City. A sword-and-sorcery tale for the MTV generation, HIGHLANDER has achieved its own immortality, inspiring several sequels and a television series.


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