Movies on the Big Screen as They Were Meant To Be Seen.
Dir: Stuart Heisler
“Come on, Oscar, let's you and me get drunk!” Bette Davis racked up another well-deserved Academy Award nomination playing a movie star whose career has hit the skids. Former actor turned boat mechanic Sterling Hayden throws her a lifeline - but can she put love above the chance at a Hollywood comeback? Natalie Wood costars.
Dir: Robert Aldrich
Forget about its reputation as a camp classic; this first-rate study of the most dysfunctional siblings in cinema history is a classic, period. Bette Davis is unforgettable as a washed-up child star who passes the time by torturing her invalid sister Joan Crawford, and Robert Aldrich's direction crosses horror with film noir to create one of the most chilling yet darkly comic masterpieces of all time. With the great, underrated Victor Buono in probably his most memorable role (he was Oscar-nominated as supporting actor, as was Davis, for actress).
Aspiring pianist Christine Radcliffe (Bette Davis) is reunited with her lover, cellist Karel Novak (Paul Henreid), whom she feared had died in a Nazi concentration camp. Unfortunately, she’s now the mistress of renowned composer Alexander Hollenius (Claude Rains), who is as creative manipulating human emotions as he is conducting an orchestra. Featuring a soaring score by the legendary Erich Wolfgang Korngold. Lovers of classical music will be swept away by the rapturous music; lovers of classic Hollywood will relish the arch tête-a-tête between Bette Davis and, at his vitriolic best, the incomparable Claude Rains.