THE FOOL KILLER
1965, 99 min, Mexico/USA, Dir: Servando González

A truly bizarre yet imaginative product of the 1960s, THE FOOL KILLER (aka VIOLENT JOURNEY) is a darkly poetic Western set in the pastoral post-Civil War South. Directed by Mexican filmmaker Servando González, the film stars Anthony Perkins in a Norman Bates-like role as philosophizing wanderer-turned-ax murderer Milo, who takes under his wing a 12-year-old runaway named George (Edward Albert). George, not unlike Huck Finn, has faced so many dangerous characters in his life - including his abusive foster parents - that he gladly accepts the unhinged yet oddly affectionate Milo as his sole friend. Together they roam the country without a care – except for George’s fear of the “Fool Killer,” an 8-foot-tall boogeyman rumored to be lurking the roads.


PSYCHO III
1986, Universal, 93 min, USA, Dir: Anthony Perkins

Anthony Perkins directs and stars in this final theatrical installment of the PSYCHO saga. As Norman Bates, he’s still dealing with the fallout from the last group of killings in the form of a nosy journalist and a disgruntled motel employee. On the plus side, he’s fallen in love with a suicidal nun (Diana Scarwid) - but Norman’s overprotective mother never did think much of his taste in women.


PSYCHO II
1983, Universal, 113 min, USA, Dir: Richard Franklin

Two decades after the horrific events of the Alfred Hitchcock original, Norman Bates (Anthony Perkins) is paroled from a mental institution and returns to the family business, which has been turned into a sleazy adult motel. With a victim’s relative (Vera Miles, reprising her earlier role) vehemently opposed to his release, the pressure hits Norman from all sides, and it’s not long before “Mother” reappears and the bodies start piling up again. With Meg Tilly, Robert Loggia and Dennis Franz.


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